Ashland, Brandon Kirk, California, Catlettsburg, Catlettsburg Stock Yard, Chapmanville, Clyde Haley, Ed Haley, Ella Haley, genealogy, Halbert Street, history, Horse Branch, Jack Haley, Jean Thomas, John Hartford, Junius Martin, Kenny Smith, Kentucky, Lawrence Haley, Logan County, Mona Haley, music, Ohio, Pat Haley, Patsy Haley, Ralph Haley, Ralph Mullins, Rosie Day, San Quentin, South Point, Wee House in the Wood, West Virginia, Wilson Mullins, writing
The next day, Brandon and I got Mona to ride around town and show us some of the places where Ed played, as well as where he’d made the home recordings on 17th Street. In the car, she tried to recount the places the family had lived since her birth at Horse Branch in 1930.
The first place she remembered was an old brown house built on a slope at Halbert Street. This was the place where Ralph built the trap door.
When Mona was seven or eight years old, the family moved to 337 37th Street.
When she was about thirteen, they moved to 105 17th Street. She lived there in 1944 when she married Wilson Mullins and moved away to Chapmanville, near Harts. After her divorce, she moved back to 17th Street. At that time, Ed was separated from Ella and living in West Virginia.
For a brief spell, the Haleys lived at 5210 45th Street. Rosie Day lived nearby in a basement apartment.
Around 1948, the family moved to 1040 Greenup Avenue. Mona lived there when she married Kenny Smith and moved to South Point, Ohio.
Around 1950, Ed, Ella, Lawrence, Pat, and little Ralph moved to 2144 Greenup Avenue. Jack and Patsy lived there for a while because Patsy — who was pregnant with twins — wanted to be near the hospital. It was there that Ed passed away in February of 1951.
Thereafter, Ella stayed intermittently with Lawrence and Pat in Ashland or with Jack and Patsy in Cleveland until her death in 1954.
Brandon and I drove Mona around town later and she pointed out the sight of the Catlettsburg stock sale, where she remembered Ed making “good money” around 1935-36. She also directed us to at least three different locations of Jean Thomas’ “Wee House in the Wood.” One was remodeled into an office building and used by the county board of education, while another was out in what seemed like the middle of nowhere on a wooden stage in a valley surrounded by tall grass. Brandon and I thought this latter location was almost surreal, like something out of a weird dream.
Later at dinner, Mona told us what happened to her records.
“I sent Clyde some records when he was in San Quentin, California but he never brought them back with him,” she said.
I told her that some guy named Junius Martin had brought Lawrence some of Ed’s recordings and she said, “Seems like Junius Martin was one of Pop’s drinking buddies. I thought his name was Julius.”